first pick of the festival

The launch of the 2010 Perth International Arts Festival Program was celebrated at the Perth Concert Hall with a full-house.

Attendance at the Program launch is a must. From receiving the festival brochure in the morning post, poring over the offerings, attempting to set a budget, confirming and adding more choices during the launch, to meeting up with friends and colleagues that we may not have seen since the last festival.

Our first picks from the brochure were:

After attending the launch celebrations, we would like to add:

Added to that are the Festival Films, Perth Writers Festival, and Visual Arts.

Phew! Now just have to get the money out and book.

The queues were long at the program launch, so having read that we could book online we enjoyed the refreshments and mingled.

I was unsuccessful at booking online as I hoped 😦 I persevered and attempted to work around issues as they arose, but finally hit the Contact Us button to view a HTTP Error 500 – Internal server error. Because friends said that we would not be able to choose our seats, I gave up with H promising that he would go into town to get them first thing in the morning.

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inside out

Aesthetic Crossovers in Art and Science (VISA2214) allowed me to explore not only the art and science crossovers in the life sciences, but introduced me to a new way of seeing and interpretation by artists and scientists.

One of the assignments was to produce a prototype. As I was still considering the question ‘what is art?’ it took some time to decide on an approach that I perceived as suitable to complete the work. However, the prototype gave me an excuse to review the histology slides from my Medical Technology degree which was an added bonus.

From the many slides, I selected two views and prepared some digital images.

I did not wish to create a temporary piece, so settled on making a paper mache object. My idea was formed from remembering that a long time ago, anatomical models were made from paper mache.

During the lectures and tutorial sessions I learnt that ‘things’ can be be classified into non-human animals and human animals. I decided to create a cat as I thought I could observe my own pets and use the photographs to realise the 3D object. Also, I liked the idea that I was superimposing human animal cells on a non-human animal.

Having not made paper mache before, I found some resources on the internet to provide some guidance. I found the initial making of the shape or form somewhat frustrating, but the layering of the paper mache over some weeks was time pleasantly spent. Time really did slip by as I got absorbed in the project.

paper mache cat (liver cells, naphol green)

Green Cat (liver cells stained with naphol green)

Red Cat (lung cells stained with H & E)

Red Cat (lung cells stained with H & E)

The final part of the assignment was to give a presentation. I took my prototypes in our cat cage covered in cloth. It was quite fun to see my classmates looking into the cage to see if my biological art was alive. My presentation probably does not stand alone, but it is included here as part of the documentation for my project.

Green Cat and Red Cat are not yet completed. I have been asked to consider giving them a face. I’m still thinking on this.

the festival has started

The 2009 Perth International Arts Festival programme launch on Wednesday marks the beginning of the festival for me. Not only do we get to experience a glimpse of the festival, but the excitement of the events and activities to come is shared with some enthusiasm.

Throughout the evening, I found myself talking to complete strangers about the festival. Topics included: Welcome To Country, amazing didgeridoo playing, insights into the programme, presentations, and of course what tickets were you going to buy? Like the programme launch last year, BOCs set up terminals so that Friends of the Festival could purchase tickets then and there.

The formal part of the evening was held in the Octagon Theatre and the programme launch party was held in the Somerville Auditorium which was in a huge marquee surrounded by vintage cars, dance floor (with dancers), and live music. Food and wine were plentiful, but because the weather was cold and wet, those that wanted elbow room headed for the perimeter. The waitpersons all wore wigs to suit the theme, so they were easy to spot, but they too experienced difficulty making their way through the crowd.

We received our programme in the mail on the day, so it was already earmarked to take along to the programme launch. I got tickets for all that we planned, but I may get some more having seen the presentations.

Tickets so far:

Festival Films are on from 1 December, so still plenty of time to get our ticket pack to start the season.

on the nose

The last couple of nights we have been to Cinema In A Cave to see the winning entries from the 2008 Sexy International Film Festival, albeit we did not stay for the fourth session.

The last couple of nights cinema viewing has got me thinking as to ‘what is sexy’? Just as I am continuing to ask myself ‘what is art?’ with regard to the living or biological art that is being revealed to me in the Aesthetic Crossovers of Art and Science unit.

We have been to Cinema In A Cave a few times now, and the films are of mixed quality, but there is always something that we will continue to talk/discuss/argue about. This to me is the sign that a film is worth seeing. Whether it is the cinemaography, sound, music, acting, genre, story, transitions, or just a film that gets you thinking.

From the 2008 Sexy International Film Festival, the most memorable (so far) are ‘Between The Sheets’. ‘Channeling’, ‘Je te Love’, ‘From Here to Maternity’, and ‘Corroboree’. However, the same films are not being shown on tour.

Jason Turley, Melbourne filmmaker and curator of the Sexy International Film Festival is now taking the festival to London, Paris, New York and San Francisco. So watch out for it if it is coming your way.

simple answer

First day at uni, then off to Limited Edition.

H got to place his first red spot, on a piece entitled ‘Snaked’ (Acrylic on canvas).

I’m not so keen on the frame, but I like the painting because it could be a photograph, textile, or a painting. You have to look up close, and then away, to see what you want to see.

Our next door neighbour kindly collected the piece for us when the exhibition closed the following week. That’s the one annoying thing about art exhibitions. You don’t usually get to walk out with your purchase.

I didn’t realise how difficult it would be to take a photograph of a picture. But here it is out of square, fingerprints and all.

The speeches could have turned the art exhibition into a second wake, but fortunately we were told not to ask how a painting was named or what was the inspiration – as no one alive knows. This made everyone laugh and the tension leaving the room was palpable. Sue went on to say that she thought that Nigel may have enjoyed peoples’ discomfort as they themselves attempted to interpret his paintings. I must admit I enjoy exhibitions more when I can experience it for myself rather than being told.

limited edition

“… while many of the paintings illustrate his earlier fascination with the West Australian landscape and a focus on colour and texture, others show a transition to an “eclectic style” whereby he made art by embellishing and tampering with ephemera.”

Accent Gallery Fine Art Gallery [1] in Dalkeith is featuring an exhibition of Nigel Treadgold’s work titled “Limited Edition … a retrospective exhibition”.

Opening Friday 7 March, 6pm – 8pm
Exhibition Saturday 8 March – Wednesday 12 March, 10am – 5pm

It is a collection of works produced during his illness, “which worked as a wonderful therapy”. Diagnosed of cancer early in 2005, Nigel died last year and is very much missed by his family and friends.

Nigel was not a near neighbour, but I remember his laughter. The street is very quiet now. Like everything associated with Nigel, I’m sure the exhibition will be a celebration of his life, uplifting and full.

[1] I’m posting the exhibition details from the printed invitation as the gallery does not maintain its web site and you may not be on the gallery mailing list.